Spray paint art

A Fast Art for a Fast Society

Spray paint art is an artform using spray paint, traditionally on posterboard, but can be done on any non-pourus material such as wood, metal, glass, ceramic or plastic. It differs from graffiti art in that graffiti is performed on buildings, trains and the like, as opposed to more traditional art surfaces.

The artist will start by creating a mental layout of how they want their picture to go. They need to keep in mind: where objects will go (such as planets, trees, mountains, stars, haze, water, etc.), what colors to use, how fast they need to paint (if it’s hot out, the paint will dry faster so you need to work faster) and finally which tools and methods to use.

http://www.youtube.com/watch?v=0CFPg1m_Umg 
http://en.wikipedia.org/wiki/Spray_paint_art 

Futurism: the representation of movement

Speed on canvas

Futurism was an artistic and social movement that originated in Italy in the early 20th century. The Futurists practiced in every medium of art, including painting, sculpture, ceramics, graphic design, industrial design, interior design, theatre, film, fashion, textiles, literature, music, architecture and even gastronomy. The founder of Futurism and its most influential personality was the Italian writer Filippo Tommaso Marinetti, who launched the movement in his Futurist Manifesto, which he published in the French daily newspaper Le Figaro on 20 February 1909. The Futurists admired speed, technology, the car, the airplane and the industrial city, all that represented the technological triumph of humanity over nature; they contrasted with the ancient art, too linked to the past, and then static, slow, to the new one that looked to the future, technology, machines and speed.

Giacomo Balla, an important futurist painter, starts from the realization of the movement seen as the sequence and repetition of the image and, for this reason, is closer to the techniques of photodynamic than to those of the other futurists. In a painting like Dinamismo di un cane al guinzaglio the splitting of the images depends on the “dynamic” effect of the photo, which is just the analytic study of the movement of the woman’s legs, of the dog’s tail and paws, and of the attempt to immortalize a fast movement into a fixed image. Even in the painting Le mani del violinista the dynamic effect consists in the representation of the fast movement of the violinist’s hands; the final result appears as a sequence of frames overlapped and partially staggered.  

http://en.wikipedia.org/wiki/Futurism
Futurist_Manifesto 

Giacomo Balla, Dinamismo di un cane al guinzaglio,1912

New York, Museum of Modern Art

http://www.noemalab.org/sections/specials/tetcm/2003-04/dinamismo_futurismo/successioni_dinamiche.html

Giacomo Balla, Le mani del violinista, 1912

http://www.noemalab.org/sections/specials/tetcm/2003-04/dinamismo_futurismo/successioni_dinamiche.html

Umberto Boccioni, another important artist, tried to translate into three dimensions his futurist ideas, especially through sculpture. In Forme uniche nella continuità dello spazio he wanted to transmit the expression of fluidity, dynamism and speed by the paradox of a statue, a fixed object.

Umberto Boccioni, Forme uniche nella continuità dello spazio, 1913

http://www.scultura-italiana.com/Approfondimenti/Forme_uniche.htm